Timeline sync

Meridian

The timeline, already in sync. Three cameras and a recorder should not cost you the first hour of the edit. Meridian listens, places every clip, and writes a timeline DaVinci Resolve, Final Cut and Premiere can open.

A dark grading monitor with three timeline tracks and a lime playhead.

Built for the wedding day

Ceremony, detail, and the recorder rarely press record together. Meridian treats that as the normal case.

The original files stay put

Nothing is trimmed and nothing is copied into a temporary folder. The timeline points at the media you already have.

One export, three rooms

DaVinci, Final Cut and Premiere each get a file they can import. Resolve also gets a second XML if the first pass comes in offline.

The day

The vows do not wait for the edit.

The ceremony camera rolls early. The detail camera starts late. The recorder has been running since the couple walked in. By the time you sit down, picture and sound disagree by seconds, and those seconds are the part the couple will watch twice. Lining that up by hand is how a delivery slips.

A candlelit ceremony filmed by several cameras, with a recordist at the aisle.

The sync

It listens for the moment you all recorded.

Point Meridian at the folder. Nested folders come with it. It reads the sound, finds the shared passage, and lays each clip on its own track. The longest audible file is the reference. You can choose another before you sync.

  • Video on lanes above the line, audio-only below it.
  • A weak match is placed at the start and marked, not thrown to a random offset.
  • The interface is English, Russian or Spanish. The choice is remembered.
A waveform on a black surface crossed by a lime alignment line.

The limit

Drift is reported. It is not baked in.

If a camera runs ahead of the recorder, Meridian says so. It does not speed the file up or slow it down. A time remap does not survive the trip into Resolve, and a rewritten audio file is how relink breaks. The clip is placed whole. You decide what the drift is worth.

What lands on disk

DaVinci.fcpxmlFile → Import → Timeline. This is the file to open first.
DaVinci.xmlThe same timeline in the other XML. Use it if the first import comes in offline.
Final Cut.fcpxmlA library timeline for Final Cut.
Premiere.xmlA sequence Premiere can open, one track per camera.

Requirements

Computer
Mac with Apple silicon
System
macOS 12 or later
Version
1.0.0
Price
Free, with an account
Languages
English, Russian, Spanish
Reads
mov, mp4, mxf, wav, aif, mp3, m4a and the usual camera formats
First launch
Right-click the app and choose Open. macOS asks once.
In the edit
The media disk must be mounted at the same path as on export day.

Mac with Apple silicon · macOS 12 or later